A single-character full-body render from a feature-quality 3D animated film, production CG, not photorealistic and not flat cartoon. Eyes: a small iris surrounded by a wide band of white sclera, clearly visible on both sides of it. The iris takes up about a third of the eye opening. The eyeball is a sphere bigger than the opening, and the lids cut across it. The upper eyelid is a thick band of skin resting over the eyeball, casting a shadow onto it. No dark outline or liner drawn around the eye. Eyelashes short, blunt and sparse. Eyebrows: dark, thick and made of individual hairs, sitting level with a soft arch. Not a solid shape. Face: a heavy square jaw and broad chin against a small rounded nose and smallish friendly eyes set under a moderate brow. Full round cheeks with a clear edge where the cheek turns down into the jaw. The eyeline sits at the vertical middle of the head. Thick neck. Subject: a man in his late thirties, tall and genuinely strong, warm brown skin, cheerful and easy in himself. Facial hair: a thick black moustache covering the upper lip, and a faint stubble shadow across the jaw and chin sitting as a soft matte shell over the skin colour rather than as individual drawn hairs. Skin: matte, distinct colour zones — a deep red-orange at the nose tip and the rims of the ears, a plum-red flush across the cheeks and through the turn from light into shadow, cooler grey-violet under the eyes. Warm subsurface glow through ears and fingertips. Deep creases at the outer corners of the eyes, a small old shiny burn scar on one forearm. Hands: large and genuinely worked, built from a few large rounded forms, thick blunt fingertips, minimal knuckle detail, thick calluses across the palms and the base of the fingers, short blunt nails, a plain gold wedding band. Silhouette: 7 heads tall, a broad triangle — wide square shoulders tapering to narrow hips, a deep chest, thick arms, heavy boots planted apart. Adult head-to-body ratio, long legs, standing square and level. Reads as a wide-shouldered triangle in black silhouette. Hair: black, shaved to a very short even buzz cut all over, sitting close to the skull as a thin matte shell that follows the shape of the head rather than as individual strands, a darker occluded core at the roots with a soft lit edge along the crown, casting a soft shadow onto the skin. Wardrobe: heavy khaki-tan turnout trousers, scuffed and stained dark at the knees, with dull silver-grey reflective bands around each ankle, held up by broad red elasticated braces that hang down loose at the hips rather than over the shoulders. A plain navy cotton t-shirt, worn soft, sleeves tight over the arms and tucked in. Heavy black leather boots, scuffed grey at the toes, laces tied loose. The red braces are the only saturated colour in an otherwise muted palette. Cloth with weight, few large folds, grime in the creases, unbranded. Pose: neutral reference stance, weight on one leg, hip out, head tilted slightly, light closed-lip smile, eyes to camera, hands empty and relaxed at the sides. Nothing mirrored. Camera: 50mm straight on at chest height, full body with feet in frame. Background: flat grey studio backdrop, empty.